** Sema pendant with pot flower pattern ***
Weight 7.38 grams
Width 2.5 cm. Length 3.8 cm.
Price 22,000 baht
An important Buddhist symbol of Lanna, 'Puraṇakhada' or 'flower pot pattern' is a pattern of a pot-shaped container containing lotus flowers, both leaf stalks and lotus flowers. It is believed that it is an offering of flowers as an offering to Buddha. It will help its owner to be successful in everything they desire and help inspire all wealth. Or it means a pot full of water. There were vines growing on both sides. Shows symbols of life and creativity. It is the motto of tranquility. Abundance and creativity Archaeologists classify Puranakhatha patterns in the group of flora patterns. as well as Bodhipruek patterns and vine and flower-leaf patterns. which this type of flora pattern It is very commonly used in works of art and architecture related to Buddhism. Because it is a pattern that can be packaged Or easily combined with other patterns. Archaeologists also noted the popularity of using flora patterns. That will be in the 21st-23rd Buddhist centuries, with images of Bodhi Phruek and angels being decorated in various temples in the Lanna region to express the meaning of enlightenment and the celebration of the King's victory over the devil. Right Buddha
In Lanna, this pattern is often called 'Mo Dok' or 'Po Dok pattern'. It first appeared as a decorative pattern inside the Buddha temple. Wat Phra That Lampang Luang, Lampang Province, at the beginning of the 21st Buddhist century, the Puranakhata pattern or flower pot pattern that appeared in the Buddha temple. It is a stencil-gilded word work that looks like a cluster of flowers with 7 stems coming out of a wide-mouthed water pot. and there were vines growing out of both sides of the pot. There are flying birds above. It is expected that the motto was derived from the decoration of the Puranakhatha pot pattern in Lankan art.
By the end of the 23rd Buddhist century, the flower pot pattern would become more popular for use in decoration. and has the highest level of development Appears in the temple at Pong Yang Khok Temple, Lampang Province, which is a more beautiful and complex flower pot pattern. The appearance is of a tall pot. with a bouquet of blooming lotus flowers and the leaf-pattern stalks are assembled together and there are ivy vines on the sides. There are many styles, which emphasize the importance of the leaf pattern. Which one style will be a leaf pattern, it will be a natural style. The leaves are quite large. similar to leaf patterns in Western art It is expected to be a form of late Ayutthaya art that spread into Lanna during this period. with another format The curved head and pointed tip pattern will be used instead of the leaf pattern.
During the 24th century onwards, the flower pot pattern changed greatly. This is because Rattanakosin art has had a great influence. For example, the design of a tall pot with many flower stalks running down both sides. At the end of the flower stalk is a pattern of a Khao Bin bush. And another is a pattern of vines and trees coming out of the mouth of a tall pot. It resembles a Chinese wrought-iron tree and has a Chinese-style swan resting on the branch.
The creation of flower pot patterns to decorate religious places in Lanna is It is worth noting that in the beginning, the Pot Dok pattern only appeared in Lai Kham works, but later it was found that the Pot Dok pattern would become more popular. and appears in other forms of art, including stucco, wood carving, love sculpture, and painting, as well as floating flower pots. Also decorated in the corners of the Phra That Chedi are a variety of Puranakhata or flower pot patterns that appear in Lanna art works. Reflects important maxims and identities in Lanna art, etc.
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